You need to share the entire screen to do that, but if you just plan on. If you are still experiencing problems, uninstall the application and reinstall it again. Heres a guide to use Google Hangouts Meet and the 5 best hidden tips I found to. If you are using the mobile application, make sure you are running the most recent version.If so, you need to disable your extensions and add them back to see which one is causing the conflict. In Chrome, other extensions may be preventing you from using the screen sharing feature.Since Chrome is developed by Google, it is recommended over Mozilla Firefox or Microsoft Edge / Internet Explorer. If you are still experiencing problems, try a different browser. Clear your cache and then try to share your screen again.If you are using Google Hangouts in the browser, there are a number of things you can do to troubleshoot: On a Mac, go to System Preferences > Security & Privacy > Privacy > Screen Recording and make sure your Browser is listed, and selected. If you are experiencing problems sharing your screen in your browser, make sure you have enabled your security settings for screen recording. Google Hangouts screen sharing not working? Solve the issue Screen sharing stops as soon as the call is disconnected. Depending on your network speed, the process may take a little while but once you are connected, all video participants will be able to view your screen and all actions you undertake on your computer including keyboard and mouse actions. To finish the process, click “Present to everyone”.Simply select the window you wish to share to continue. If you select the “Window” option, you will be presented with all the current windows that are open on your machine.Select either “Entire Screen” or “Window” from the options available and click “Share”.If you are using a mobile application use the meatballs menu option (three dots) to open additional options. Start a video call and select the “Share Screen” option from the top right menu options.Launch Google Hangouts on your desktop or app.Administrators of your G Suite for Education may also be able to record your sessions as needed.The process might vary slightly depending on whether you’re using Hangouts in your browser or as a mobile application. Using the security of the G Suite also provides a safe screen share option as only members with the link can access the screen share. If your G Suite will not allow you to open Meet without the microphone and/or video, simply allow it for access, then turn it off once you are in the meeting. Once you select conferencing and Google Meet, you will receive a meeting code. You will select Google Meets where it says to “Add rooms, location or conferencing.” You will select “Add Conferencing Hangouts Meet.” In the calendar, Google has Hangouts and Meets together as they both provide a conferencing service. Google Meet can also be added to your Google Calendar as an invitation. When using Meet with the Mimio Board and an iPad, the student was able to see real time applications of the teacher demonstrating math work. Screen Share can be used with a SmartBoard, Mimio Board, Tablet, Desktop, iPad or even a telephone. To use the screen share when the student is not present in the classroom, it is important to allow the microphone so the student can hear the lesson. The speed and simplicity of using a link without requiring additional plug-ins helps with faster connections and may streamline instructional time.īesides providing screen share capabilities, Google Meet could also provide instructional content when a student is absent or being served through a homebound service. If your instructional program is looking for a simple, bare-bones, free screen share application, then Google Meet may fit the bill. Then Google separated them into Google Meet (video conferencing) and Google Hangouts (messaging and chat). Previously, Google Hangouts provided both video conferencing as well as messenger capabilities. There are many applications available in the Suite and one I use for my students with low vision is Google Meet. Many school systems are going to G Suite for Education, which allow educators and students to collaborate using technology and share opportunities for learning.
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Angus Young’s solo is stupendous, bassist Cliff Williams and drummer Phil Rudd nail the rhythms, and Johnson layers on a stunning melody. Newcomer Brian Johnson proves he’s a worthy successor to Bon Scott with his double entendre-laden lyrics about a neighborhood pusher making daily rounds around the suburbs to keep bored, lonely housewives well supplied with narcotics. Shoot to Thrillįrom start to finish, Shoot to Thrill rocks. The pain evident in the lyrics is perfectly reflected in Scott’s majestically desperate vocals. He may have kissed goodbye to the poverty after joining the band, but judging by Down Payment Blues, he still remembered what it was like to be down to the last few cents of his paycheck. Please click here to log in or create a Username for leaving comments.As SongFacts says, the Young brothers may have come from a solid family, but Bon Scott had seen some hard times in his life, experiencing poverty, relationship woes, and a car crash that nearly cost him his life. You cannot leave comments for this CD because you are This is where they developed their trademark sound and style and have never changed it since. So many classic songs and future live favourites here It's a Long Way To the Top, The Jack, Live Wire, T.N.T., High Voltage. is an awesome album that really should have done for them what Highway To Hell finally did. On their first album (the original Australian version of High Voltage) the band was still kind of searching for their own distinctive voice and style with some pretty uncharacteristic moments (Love Song for example), but on their second album they really hit it together! T.N.T. Totalt agree shaneo brian johnson is just fine and suits them just fineof course he's not as good a singer as bon was but then again who is we're talking about the greatest and most charismatic singe the world has ever seen as for this cd long way to the top is an all out classic as is the jack ,tnt, live wire.high voltage and a great version of the classic chuck berry number school days everybody should own this cd yes indeed 'hail hail rock and roll' Really killer stuff!!!Įrik and propane i think ur both on drugs bon was the greatet and brian's a great replacement who brings his own style.classic album start to finish Awefull.īasiclly the same album as the US 'High Voltage' and just as f*cking good!!! Only difference is the slight ending change on the title track. Never could stand to listen to his over the top screaming and not making the notes. This guy will fuck shit up so bad that it looks like an explosion, and after all of the. The first AC/DC I bought.I haven't ever Regretted.more Blues than Hard Rock,and Bon Scott Has 1 of the GREATEST Voices Ever!!!ĭidnot like his voice ? Were you on drugs when writing your comment Propane ? Bonns voice is/was the best ! The 'new' singer Brian now thats horrible singing. Hes an explosive man, so he is compared to T.N.T. I liked the songs on this one but didn't like Bon's voice at all. If you have both copies of the song, compare the endings. release, the song fades to black, but on this album the song keeps going until the band breaks down and bleeds it into the next one. LOLĪnother cool thing about this CD is the ending to 'High Voltage.' On the U.S. This is only an Australian release, and a very cool one at that!īon scott is the reason I became a singer, now I can blame him for my life choices. It's the one with pieces of wood with AC/DC - T.N.T. If you take a look at the High Voltage page on this site you will see a picture of this album cover. Long as they are at least 4 songs in length.Įxisting comments about this CD From: jason (FA-Q) Please only submit officialĬD releases no bootlegs or cassette-only or LP-only releases.ĮPs and CD-singles from AC/DC are also welcome to be added, as Even if it is an obscure greatest-hits or liveĬompilation CD, we want to add it to the site. The ultimate goal is to make the discographies here at Heavy HarmoniesĪs complete as possible. Notice that a particular AC/DC CD release or compilation is missingįrom the list above, please submit that CD using the CD submission page. The music discographies on this site are works in progress. 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He claims his lawyer has contacted Youtube but does not know what will happen next. NBC has invested heavily in Vox, so he claimed that he was experiencing a “David VS Goliath” situation. “If using your words taken directly from the acronym you regularly tout is now hate speech, no one can understand the rules,” he later added.Ĭrowder also clarified that the shirt Maza referenced was actually a “socialism is for figs” shirt, and then continued to claim he was being attacked by corporate media. That along with the LGBTQ moniker has made me believe that queer is one of the more suitable terms, if not I don’t understand the rule book, please correct me.” Why? Because you speak with a lisp and refer to yourself as a queer. “I genuinely wouldn’t consider you being that upset about it considering your handle is Did I ever offhandedly use the term lispy queer? I really don’t remember it but it sounds like me. “Okay, so have I ever called you the gay Latino host at Vox? Yes, of course, but it’s friendly ribbing,” Crowder said. He says he believed he was using proper terminology. He then claimed that he did not see his statements to be bullying and did not think they would upset Maza. “I have always condemned and continue to condemn, to discourage any and all forms of doxing and target harassment,” he said. He claimed he has never encouraged this behavior. “This is a war, and I want everyone to understand, that we will fight until the absolute bitter end, both legally and publically.”Ĭrowder addressed the allegations Maza made against him, including the doxing. And this is yet another giant company trying to lean on this channel, your channel, and the content that you have created,” he said in the opening of the 10-minute video. Crowder RespondsĬrowder responded on Friday, in a video titled “VOX is Trying to Ban This Channel…” Several reports later indicated that YouTube was investigating Crowder’s channel. Thanks so much for outlining all of this–we’re looking into it further. The thread got a lot of attention online and YouTube ended up responding, saying that would look into the matter. That’s what’s so fucked up about these platforms: they create wildly powerful monsters and then ask the targets of abuse to draw further attention to themselves.- Carlos Maza If Crowder loses his channel, I’m going to get hit with another avalanche of abuse and will likely get doxxed again. Towards the end of his thread, he said he anticipated receiving even more flack from Crowder’s fans for posting the thread. What are these platforms doing? /x9F6xOFNhk- Carlos Maza May 31, 2019 Turns out, he sells that shirt to his YouTube fans, and proudly displays it in his Twitter cover photo. A lot of people have pointed out that Crowder is wearing a “Socialism Is For Fags” shirt in several of his videos. 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Back at the apartment, after our protagonist has fetishistically and blankly gone through the contents of the bag-orally fixating on the lipstick, picking through the belongings with a kind of curious disinterest-his masturbatory shower fantasy of pin-up girls is soundtracked, with deliberate griminess, to the strained strains of Led Zeppelin, blasted through a fuzzy pocket radio which renders the rockist odes to heterosexuality distorted and disgusted as images of the woman's falling body jump-cut into his reverie, our hero fails to reach climax. This framing might suggests a renunciation, not only of heterosexuality-our nominally straight hero will be straight no longer by the time he's left the club-but of women per se. En route, the film stages a troubling sacrifice of a woman, struck by a car at an intersection: our protagonist picks up her purse and walks off without emotion, the ticket he finds in her purse giving him access to the mysterious sex-club which provides the film's title. As our protagonist walks home from the building site where he works, the combination of pummelling machines and Holstian martial strains providing at atmosphere that suggests, perhaps, the costs of gentrification, the changing face of the city in which sex as labour or performance is placed. Set to the blasting strains of Holst's 'Mars, the Bring of War', this opening winks at the classic porn framing of builder-as-sex-object. The film's opening act might suggest otherwise it is, in a sense, a self-conscious reflection on the absurdity of the narrative incident required to 'justify' the structure of the porn film as more than simply a succession of sex scenes, sex acts. To call the film an 'erotic art film' instead of 'gay porn' is to draw a distinction between the commercial, vulgar and exploitative and the transmutatory erotic incantation that Poole refuses at the same time, the film has a kind of educative function, in the way that its protagonist moves from solitary heterosexual fantasy to the mutual communion of queer fluidity, learning to give as well as take, to experience pleasure as a kind of ecstatic, plateaud network rather than a surge of possession and release. Who'd have thought a Hovhaness symphony would form such a deliriously appropriate soundtrack for a gay orgy? Ecstatically rising each time, stopping, starting again, as if the record were being flipped over, to the orangey-yellow glow of skin against a bare backdrop, bodies reclining, fondling, inclining, as if floating in space, the occasional Dan Flavin sculpture or lens-flare light-show the film's bijouterie along with bodies unadorned in unselfconscious communion and display. Wakefield Poole's breakthrough gay porn masterpiece no doubt made it into the mainstream (and across lines of sexuality) because it 'high art' ring made it amenable to straight sexual tourists seeking out the other side, but wishing the work to be clothed in a veil of 'legitimacy'-but of course, its wall-to-wall classical music and its self-consciously 'artiness' are its strength. pCallback - The callback being notified when the request is finished. pMethodName - The method being performed. Parameters: pConfig - The request configuration. Throws XmlRpcException Performs an asynchronous request with the given configuration. Public void executeAsync( XmlRpcClientConfig pConfig, Parameters: pMethodName - The method being performed. Throws XmlRpcException Performs an asynchronous request with the clients default configuration. Parameters: pRequest - The request being performed. Throws XmlRpcException Performs a request with the given configuration. Public execute( XmlRpcClientConfig pConfig, Throws: XmlRpcException - Performing the request failed. Throws XmlRpcException Performs a request with the clients default configuration. The client will use this factoryįor invocation of XmlRpcTransportFactory.getTransport() Public XmlRpcTransportFactory getTransportFactory() Returns the clients transport factory. Parameters: pFactory - The clients transport factory. The client will invoke theįactory method XmlRpcTransportFactory.getTransport() Public void setTransportFactory( XmlRpcTransportFactory pFactory) Sets the clients transport factory. Returns: The default request configuration. This configuration is used by the methodsĮxecute(XmlRpcClientConfig, String, List), orĮxecute(XmlRpcClientConfig, String, Object) Public XmlRpcClientConfig getClientConfig() Returns the clients default configuration. Specified by: getConfig in class XmlRpcController Returns: The default request configuration. Public XmlRpcConfig getConfig() Returns the clients default configuration. Parameters: pConfig - The default request configuration. Or execute(XmlRpcClientConfig, String, Object). You may overwrite this per request by usingĮxecute(XmlRpcClientConfig, String, List), Public void setConfig( XmlRpcClientConfig pConfig) Sets the clients default configuration. Specified by: getDefaultXmlRpcWorkerFactory in class XmlRpcController Returns: The default factory for workers. Protected XmlRpcWorkerFactory getDefaultXmlRpcWorkerFactory() Description copied from class: XmlRpcController Creates the controllers default worker factory. Methods inherited from class Ĭlone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait GetMaxThreads, getTypeFactory, getWorkerFactory, setMaxThreads, setTypeFactory, setWorkerFactory SetXmlWriterFactory( XmlWriterFactory pFactory) SetTransportFactory( XmlRpcTransportFactory pFactory) Returns the clients default configuration.Ĭreates the controllers default worker factory. Performs an asynchronous request with the given configuration. Performs an asynchronous request with the clients default configuration.ĮxecuteAsync( XmlRpcClientConfig pConfig, Performs a request with the given configuration.ĮxecuteAsync( pMethodName, Performs a request with the clients default configuration. Modifications, the client may be used for an arbitrary number Methods, store it in a field and never modify it again. SetTransportFactory(XmlRpcTransportFactory) and similar The suggested use is, that you configure the client using The configuration object is designed for being passed through theĪ configured XmlRpcClient object is thread safe: In other words, In Apache XML-RPC 3.0, the configuration details has been moved to Suggested encoding, user credentials and the like) have been stored. Until Apache XML-RPC 2.0, this object was used both as an objectįactory and as a place, where configuration details (server URL, XmlRpcClient in a static variable, unless you would be It is designed with singletons in mind: Basically,Īn application should be able to hold a single instance of This object serves mainlyĪs an object factory. The main access point of an XML-RPC client. Public class XmlRpcClient extends XmlRpcController SUMMARY: NESTED | FIELD | CONSTR | METHOD XmlRpcClient (Apache XML-RPC 3.1.4-SNAPSHOT API) |